Killer images documentary film, memory and the performance of violence
(eBook)
Contributors
Published
London : Wallflower Press, [2012].
Physical Desc
1 online resource (343 pages) : illustrations.
Status
More Details
Format
eBook
Language
English
ISBN
9780231850247 (e-book)
Notes
Bibliography
Includes bibliographical references and index.
Description
Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This edited anthology brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan.
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Citations
APA Citation, 7th Edition (style guide)
Ten Brink, J., & Oppenheimer, J. (2012). Killer images: documentary film, memory and the performance of violence . Wallflower Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Ten Brink, Joram and Joshua Oppenheimer. 2012. Killer Images: Documentary Film, Memory and the Performance of Violence. Wallflower Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Ten Brink, Joram and Joshua Oppenheimer. Killer Images: Documentary Film, Memory and the Performance of Violence Wallflower Press, 2012.
MLA Citation, 9th Edition (style guide)Ten Brink, Joram., and Joshua Oppenheimer. Killer Images: Documentary Film, Memory and the Performance of Violence Wallflower Press, 2012.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
c4ebe0af-4ab6-f530-ee94-074a43bb2fa2-eng
Grouping Information
| Grouped Work ID | c4ebe0af-4ab6-f530-ee94-074a43bb2fa2-eng |
|---|---|
| Full title | killer images documentary film memory and the performance of violence |
| Author | joram ten brink joshua oppenheimer |
| Grouping Category | book |
| Last Update | 2022-06-07 21:23:19PM |
| Last Indexed | 2024-05-30 05:05:20AM |
Book Cover Information
| Image Source | syndetics |
|---|---|
| First Loaded | Jan 1, 2024 |
| Last Used | Feb 19, 2024 |
Marc Record
| First Detected | Aug 09, 2021 01:39:26 PM |
|---|---|
| Last File Modification Time | Nov 22, 2021 09:37:28 AM |
MARC Record
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|---|---|---|---|
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| 020 | |z 9780231163354 (pbk. : alk. paper) | ||
| 020 | |z 0231163355 (pbk. : alk. paper) | ||
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| 050 | 4 | |a PN1995.9.D6|b K474 2012 | |
| 082 | 0 | |a 791.43/6581|2 23 | |
| 245 | 0 | 0 | |a Killer images |h [eBook]:|b documentary film, memory and the performance of violence /|c edited by Joram Ten Brink & Joshua Oppenheimer. |
| 264 | 1 | |a London :|b Wallflower Press,|c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (343 pages) :|b illustrations. | ||
| 336 | |a text|2 rdacontent | ||
| 337 | |a computer|2 rdamedia | ||
| 338 | |a online resource|2 rdacarrier | ||
| 440 | 0 | |a Nonfictions | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Acknowledgments --|t Notes on contributors --|t Introduction /|r Joram ten Brink & Joshua Oppenheimer --|t (De)activating empathy --|t Publicity and indifference : media, surveillance and 'humanitarian intervention' /|r Thomas Keenan --|t Shooting with intent : framing conflict /|r Alisa Lebow --|t Immersion (2009) /|r Harun Farocki --|t Anaesthetising the image : Immersion, Harun Farcocki [sic] /|r Kodwo Eshun --|t Revisiting Rocha's 'Aesthetics of Violence' /|r Michael Chanan --|t Memory of violence : visualising trauma --|t Ça va de soi : the visual representation of violence in the Holocaust documentary /|r Brian Winston --|t Screen memory in Waltz with Bashir /|r Garrett Stewart --|t Animating trauma : Waltz with Bashir, David Polonsky /|r Joram ten Brink --|t Spaces of violence : history, horror and the cinema of Kiyoshi Kurosawa /|r Adam Lowenstein --|t On historical violence and aesthetic form : Jean-Luc Godard's Allemagne 90 Neuf Zero /|r Daniel Morgan --|t Battle for history : appropriating the past in the present --|t Subverting dominant historical narratives : Avenge but one of my two eyes, Avi Mograbi /|r Joram ten Brink --|t Re-enactment, the history of violence and documentary film /|r Joran ten Brink --|t Interpreting Jeremy Deller's The Battle of Orgreave /|r Alice Correia --|t Remediating genocidal images into artworks : the case of the Tuol Sleng mug shots /|r Stephanie Benzaquen --|t Screening the 1965 violence /|r Ariel Heryanto --|t Performing violence --|t Perpetrator's testimony and the restoration of humanity : S21, Rithy Panh /|r Joshua Oppenheimer --|t The killer's search for absolution : Z32, Avi Mograbi /|r Joram ten Brink --|t Impunity /|r Benedict Anderson --|t Show of force : a cinema-seance of power and violence in Sumatra's plantation belt /|r Joshua Oppenheimer & Michael Uwemedimo --|t Misunderstanding images : standard operating procedure, Errol Morris /|r Joshua Oppenheimer. |
| 520 | 8 | |a Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This edited anthology brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. | |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Documentary films|x History and criticism. | |
| 650 | 0 | |a Violence in motion pictures. | |
| 650 | 0 | |a Violence in mass media. | |
| 655 | 4 | |a Electronic books. | |
| 700 | 1 | |a Ten Brink, Joram. | |
| 700 | 1 | |a Oppenheimer, Joshua,|d 1974- | |
| 776 | 0 | 8 | |i Print version:|t Killer images : documentary film, memory and the performance of violence.|d London : Wallflower Press, [2012]|h xi, 330 pages ; 23 cm.|k Nonfictions|z 9780231163354|w (OCoLC)ocn794366433|w (DLC)17809739 |
| 797 | 2 | |a ProQuest (Firm) | |
| 856 | 4 | 0 | |u http://ebookcentral.proquest.com/lib/yavapai-ebooks/detail.action?docID=946273|x Yavapai College|y Yavapai College users click here to access |
| 856 | 4 | 0 | |u http://ebookcentral.proquest.com/lib/prescottcollege-ebooks/detail.action?docID=946273|x Prescott College|y Prescott College users click here to access |
| 856 | 4 | 0 | |u http://ebookcentral.proquest.com/lib/yln-ebooks/detail.action?docID=946273|x Yavapai Library Network|y All other users click here to access |
| 945 | |a E-Book | ||
